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DEPECHE MODE BAND PAGE
 DEPECHE MODE
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CURRENT NAME
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Depeche Mode | |
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FORMER NAMES
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ORIGIN
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United Kingdom | |
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STATUS
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Active | |
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FORMED IN
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LABEL
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Reprise Records | |
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GENRE
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Synth | |
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STYLE
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LYRICAL THEME
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| BAND ADDED | 2005-03-25, 00:00 | |
| LAST UPDATE | 2005-03-25, 00:00 | |
Biography | Band members | Discography | Shows | Forum
| Band biography |
The roots of Depeche Mode date back to 1976, when Basildon, England-based keyboardists Vince Clarke and Andrew Fletcher first teamed to form the group No Romance in China. The band proved short-lived, and by 1979 Clarke had formed French Look, another duo featuring guitarist/keyboardist Martin L. Gore; Fletcher soon signed on, and the group rechristened itself Composition of Sound. Initially, Clarke handled vocal chores, but in 1980 singer David Gahan was brought in to complete the lineup; after one final name change to Depeche Mode, the quartet jettisoned all instruments excluding their synthesizers, honing a slick, techno-based sound to showcase Clarke's catchy melodies.
After building a following on the London club scene, Depeche Mode debuted in 1980 with "Photographic," a track included on the Some Bizzare Album label compilation. After signing to Mute Records, they issued "Dreaming of Me" in early 1981; while neither the single nor its follow-up, "New Life," caused much of a stir, their third effort, "Just Can't Get Enough," became a Top Ten U.K. hit, and their 1981 debut LP, Speak and Spell, was also a success. Just as Depeche Mode appeared poised for a major commercial breakthrough, however, principal songwriter Clarke abruptly exited to form Yazoo with singer Alison Moyet, leaving the group's future in grave doubt.
As Gore grabbed the band's songwriting reins, the remaining trio recruited keyboardist Alan Wilder to fill the technological void created by Clarke's departure(Though Wilder wasn't officially part of the band until 1983, when he debuted on Construction Time Again); while 1982's A Broken Frame deviated only slightly from Depeche Mode's earlier work, Gore's ominous songs grew more assured and sophisticated by the time of 1983's Construction Time Again. Some Great Reward, issued the following year, was their artistic and commercial breakthrough, as Gore's dark, kinky preoccupations with spiritual doubt ("Blasphemous Rumours") and psychosexual manipulation ("Master and Servant") came to the fore; the egalitarian single "People Are People" was a major hit on both sides of the Atlantic, and typified the music's turn toward more industrial textures.
1986's atmospheric Black Celebration continued the trend toward grim melancholy, and further established the group as a major commercial force. After the superb single "Strangelove," Depeche Mode issued 1987's Music for the Masses; a subsequent sold-out tour yielded the 1989 double live set 101, as well as a concert film directed by the legendary D.A. Pennebaker. Still, despite an enormous fan base, the group was considered very much an underground cult phenomenon prior to the release of 1990's Violator, a Top Ten smash which spawned the hits "Enjoy the Silence," "Policy of Truth," and "Personal Jesus."
With the alternative music boom of the early '90s, Depeche Mode emerged as one of the world's most successful acts, and their 1993 LP Songs of Faith & Devotion entered the charts in the number one slot.
However, at the peak of their success, the group began to unravel; first Wilder exited in 1995, and then Gahan was the subject of a failed suicide attempt. (He later entered a drug rehabilitation clinic to battle an addiction to heroin.) After a four-year layoff, Depeche Mode -- continuing on as a trio -- released 1997's Ultra, which featured the hits "Barrel of a Gun" and "It's No Good." In 2001 they released Exciter, an album having somewhat of a striking resemblance to their 1990 album Violator, what with the album title, the cover, and a few songs names; the album was very much a success more so to the band, and they toured in support of the album, they even released a DVD, "One Night in Paris" which documented their show that they performed while in Paris. In 2004, The Singles Boxes, Volumes 4, 5 and 6 finally saw the light of day, the boxes featured many rarities, remixes and unreleased material as the first three that preceded them in 1991.
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