GREEN DAY BAND PAGE
GREEN DAY
|
CURRENT NAME
|
Green Day |
FORMER NAMES
|
- |
ORIGIN
|
USA |
STATUS
|
Active |
FORMED IN
|
- |
LABEL
|
Reprise Records |
GENRE
|
Punk rock |
STYLE
|
- |
LYRICAL THEME
|
- |
|
BAND ADDED
|
2004-08-17, 00:00 |
|
LAST UPDATE
|
2004-08-17, 00:00 |
Out of all the post-Nirvana American alternative bands to
break into the pop mainstream, Green Day were second only to Pearl Jam in
terms of influence. At their core, Green Day were simply punk
revivalists, recharging the energy of speedy, catchy three-chord punk-pop songs.
Though their music wasn't particularly innovative, they brought the
sound of late-'70s punk to a new, younger generation with Dookie, their
1994 major-label debut. Green Day weren't able to sustain their success —
Dookie sold over eight million, while its follow-up, Insomniac, only
sold a quarter of its predecessor — yet their influence was far-reaching
because they opened the doors for a flood of American neo-punk, punk
metal, and third wave ska revivalists.
Green Day were part of the northern California underground punk scene.
Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt
(bass; born Michael Pritchard) formed their first band, Sweet Children,
in Rodeo, CA, when they were 14 years old. By 1989, the group had added
drummer Al Sobrante and changed its name to Green Day. That year, the
band independently released its first EP, 1,000 Hours, which was
well-received in the California hardcore punk scene. Soon, the group had
signed a contract with the local independent label, Lookout. Green Day's
first album, 1,039/Smoothed Out Slappy Hour, was released later that year.
Shortly after its release, the band replaced Sobrante with Tre Cool
(born Frank Edwin Wright, III); Cool became the band's permanent drummer.
Throughout the early '90s, Green Day continued to cultivate a cult
following, which only gained strength with the release of their second
album, 1992's Kerplunk. The underground success of Kerplunk led to a wave
of interest from major record labels; the band eventually decided to
sign with Reprise. Dookie, Green Day's major-label debut, was released in
the spring of 1994. Thanks to MTV support for the initial single,
"Longview," Dookie became a major hit. The album continued to gain momentum
throughout the summer, with the second single, "Basket Case," spending
five weeks on the top of the American modern rock charts. At the end of
the summer, the band stole the show at Woodstock '94, which helped the
sales of Dookie increase. By the time the fourth single, "When I Come
Around," began its seven-week stay at number one on the modern rock
charts in early 1995, Dookie had sold over five million copies in the U.S.
alone; it would eventually top eight million in America, selling !
over ten million copies internationally. Dookie also won the 1994
Grammy for Best Alternative Music Performance.
Green Day quickly followed Dookie with Insomniac in the fall of 1995;
during the summer, they hit number one again on the modern rock charts
with "J.A.R.," their contribution to the Angus soundtrack. Insomniac
performed well initially, entering the U.S. charts at number two, and
selling over two million copies by the spring of 1996, yet none of its
singles — including the radio favorite "Brain Stew/Jaded" — were as popular
as those from Dookie. In the spring of 1996, Green Day abruptly
canceled a European tour, claiming exhaustion. Following the cancellation, the
band spent the rest of the year resting and writing new material,
issuing Nimrod in late 1997. Their long-awaited follow-up, Warning, was
released three years later.
Currently in 2003/2004, Green Day are currently working in a L.A.
studio on their first album since 2000's Warning. Frontman Billie Joe
Armstrong has stated that, "We've got about thirty-five songs we're going to
record. It's a lot of material. We're trying to get one theme
throughout the album, because we're in the album business, not in the business
of making singles."
The band hopes to have the album out in late summer or early fall.
This biography was written by Stephen Thomas Erlewine for Allmusic.com.

| Session musicians Add - Fetch |
| Unknown / none |