PYRE BAND PAGE
PYRE
|
CURRENT NAME
|
Pyre |
FORMER NAMES
|
- |
ORIGIN
|
El Paso, Texas, USA |
STATUS
|
Active |
FORMED IN
|
1997 |
LABEL
|
Currently unsigned |
GENRE
|
Black metal |
STYLE
|
- |
LYRICAL THEME
|
- |
|
BAND ADDED
|
2005-01-20, 00:00 |
|
LAST UPDATE
|
2008-07-28, 16:57 |
Since 1997 PYRE has been challenging its talents and has
excelled in producing a dark, unholy, and sinister style of black metal
once inspired by Norwegian contemporaries of the early-mid 90´s. PYRE,
today, however, boasts an unparalleled style with a distinctive sound.
PYRE owes much of its success to Raum, the founder of the ominous black
metal band. Raum made his debut with Obscuratio, and to further his
love of black metal, he conceived the idea of PYRE. Now looking for
members to materialize his vision, Raum had former Obscuratio member,
Atridiel, join him, and by 1997, Raum and Atridiel began writing for PYRE.
With no bassist and no drummer, however, the duo braved this
brain-child by themselves, writing and perfecting songs that would later lead to
the victorious break-through of PYRE. Atridiel’s contribution is
unwavering: he wrote most of “Midwinter’s Anguish,” and despite consequent
line-up changes, “Midwinter’s Anguish” has become a fundamental part of
PYRE’s latest album, Luciferian Dark Age. Upon the departure of
Atridiel, however, who left in 1998 to return to his native country, Germany,
Raum was once again carrying PYRE by himself.
The same year, Raum was nevertheless in luck—and good luck it was!
Long-time friend, Megiddo, joined on drums and added not only an additional
link, but with his death metal-influenced skills in double-bass
drumming contributed an essence that gives PYRE the superior quality—the
varied tempos and dark-based moods—the sound Raum had been searching for.
1999 were to be marked as the year their 4-song demo, Luciferian Dark
Age, was conceived, and preparations to add a bass player to the team
were underway. By the end of the year, light met with darkness, and PYRE
seemed complete: Carnivean stepped in and gifted PYRE with the much
needed bassist they’d been looking for. PYRE self-released Luciferian Dark
Age on CDR in 2000, which was re-leased in 2001 on Split Vinyl LP with
German band Darkened Nocturn Slaughtercult.
PYRE was ready, but all was not chiseled in stone. Raum and Megiddo
acquired yet a second bass player, Lecher, who proved to be a valuable
addition, making PYRE what they are today--a sinister trinity feeding body
and soul to the very depths of blackness from which the genre derives
its roots.
Feasting on demonic inspirations, this darkened horde embellishes their
latest creation: Behold a Pale Horse has been composed, written, and
recorded and will become available to fans in 2003. We can expect
excellence, expect to be ripped by musical compositions that tear into the
soul.
Luciferian Dark Age has met with above positive reviews around the
globe, and has gotten much attention for their excellent CD artwork: “Mad
Meg,” a 15th century piece by Pieter Brueghel, captivates and draws
black metal fans into the destructive, unholy speeds and crawling
depressive moods this album holds.
In addition, Raum went out on a limb and tackled a song by Darkthrone
sung in Norwegian, which appears on their latest release Behold a Pale
Horse—a nice touch that sets Pyre apart from other American black metal
bands.
With 666 unholy copies of their debut album, Raum and Megiddo have
beaten the odds and brought PYRE to life, a band that epitomizes the dark
side of black metal and has become one of the icons in the genre.
--Barbara Williams
