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REVIEW: Dark Moor - The Gates Of Oblivion Arise Records, 2002
8/10
Dark Moor - The Gates Of Oblivion - cover art Dark Moor have very quickly become one of the leading metal bands from the Mediterranean countries since their debut "Shadowland" was released through B.O. Records in 1999. The band actually started out in 1994 in Madrid but it obviously took them five years to be discovered by the metal music industry. Now they are signed to their native label Arise Records who have managed to sign some interesting bands. No matter what you think of this band there is no way of denying the fact that they sound very much like the Italian Rhapsody, both musically and vocally. What separates them is that Dark Moor don't have the ambitious and pompous orchestral arrangements of Rhapsody and they also have a female lead vocalist which doesn't really make that much of a difference since she sounds like a male vocalist if you don't concentrate and listen very closely. Even though their orchestral arrangements aren't as complex as those of Rhapsody they are still very much influenced by classical music which you can clearly notice in almost every song such as the nice instrumental title track. This album opens up with a very nice neoclassical speed riff showoff on the opening track "In The Heart Of Stone" and throughout the whole album we are lucky to enjoy plenty of powerful epic metal with wonderful melodies and superb vocal lines. Dark Moor have definitely come to stay.

written by Vincent Eldefors

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» Dark Moor band details
Tracklist

1. In The Heart
Of Stone
2. A New World
3. The Gates Of Oblivion
4.
Nevermore
5. Starsmaker (Eldereth)
6. Mist In The Twilight
/> 7. By The Strange Path Of Destiny
8. The Night Of The Age
9.
Your Symphony
10. The Citadel Of The Light
11. A Truth For Me
/> 12. Dies Irae (Amadeus)

Playing time: 56.03

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